Silvio Rodríguez - Gira 1995

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justinpward

Review by Justin Ward

Gira 1995, the album by Silvio Rodríguez, is a masterpiece of Latin American music. Released in 1996, it captures the essence of the singer-songwriter's live performances during his tour of Spain, Portugal, and Italy in 1995.

The album features 14 tracks, all of which showcase the poetic and musical genius of Silvio Rodríguez. From the opening track "Quien Fuera" to the closing "Unicornio," the album takes the listener on a journey through the artist's vast repertoire of songs.

One of the standout tracks on the album is "El Necio," a song that has become an anthem for those who fight against injustice and oppression. The song's powerful lyrics and haunting melody are a testament to Silvio Rodríguez's ability to capture the emotions of his audience.

Another notable track is "La Maza," a song that speaks of the struggles of the Cuban people and their fight for freedom. The song's chorus, "La maza, la maza, la maza da en el hueso, no en la madera," has become a rallying cry for those who oppose tyranny and oppression.

Table of Contents

Tracks

TrackDurationPreview
La Vida3:39
Ando Como Hormiguita2:20

Images

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Catalog Numbers

CDS 023

Labels

Fonomusic

Listen online

  • ouvir online
  • online luisteren
  • écouter en ligne
  • ascolta in linea
  • lytte på nettet
  • kuunnella verkossa
  • lyssna på nätet
  • escuchar en línea
  • online anhören

Formats

  • CD
  • Single

Companies

RoleCompany
Recorded AtEstudios EGREM

Credits

RoleCredit
ProducerSilvio Rodríguez
Mixed BySilvio Rodríguez
Recorded ByJerzy Belc
Written-BySilvio Rodríguez

Barcodes

  • Barcode: 8 423479 033294
  • Rights Society: SGAE/BIEM
  • Depósito Legal: M-17124-1995
justinpward

Summary by Justin Ward

Gira 1995 is a must-have album for any fan of Latin American music. Silvio Rodríguez's masterful songwriting, combined with his powerful vocals and guitar playing, make this album a timeless classic that will continue to inspire and move listeners for generations to come.

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